Kishi Bashi Lighght Vinyl

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2. Violinist, singer, and composer Kishi Bashi is slated to release his new album on 12th May 2014. The album entitled Lighght (pronounced Light) continues and expands the sound of his critically acclaimed debut, 151a - which earned Kishi Bashi the title of Best New Artist by NPR.

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'151a' was crafted over a four-year period while Kishi Bashi was touring and recording with Regina Spektor, Sondre Lerche, and of Montreal (where he was a full-time member and co-producer). In late 2012, after the success of '151a', Kishi Bashi decided to focus solely on his own music and began composing the new material which has become 'Lighght'.

Kishi burst onto the scene a year and a half ago and just became an instant sensation. It's very well deserved as the dude is crazy talented. He creates these wispy, complex arrangements that somehow manage to stay pop friendly.

It's the kind of music that would be the soundtrack to a video of your life's greatest moments. Get this.

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Limited edition gold spattered vinyl with bonus gold colored 7'.
Violinist, singer, and composer Kishi Bashi is slated to release his new album on May 13, 2014. The album entitled 'Lighght' (pronounced 'Light') continues and expands the sound of his critically acclaimed debut, '151a' - which earned Kishi Bashi the title of 'Best New Artist' by NPR. Since the profoundly successful release of '151a' two years ago, Kishi Bashi has toured relentlessly, captivating audiences across the globe with his loop-based live show, and fostering a groundswell of devotees.
'151a' was crafted over a four-year period while Kishi Bashi was touring and recording with Regina Spektor, Sondre Lerche, and of Montreal (where he was a full-time member and co-producer). In late 2012, after the success of '151a', Kishi Bashi decided to focus solely on his own music and began composing the new material which has become 'Lighght'.
'Lighght' takes its title from the one-word poem by minimalist poet Aram Saroyan. As Kishi Bashi explains, 'The poem's blatant assault on literary convention and classical form was attractive to me.' It is apparent that such an approach informed the new album, which has both broadened and redefined his classical foundations. 'Though I have studied classical composition, I prefer to take an unconventional path when it comes to creating and thinking about music,' says Kishi Bashi.
Though violin remains his primary instrument and songwriting muse, Kishi Bashi has expanded his palette to include more diverse and nuanced instrumentation. Bright and soaring avant-pop songs are prevalent, as are Eastern-tinged arrangements, gentle ballads, Philip Glass inspired improvisations, and more than a few moments that flirt with 70s prog (in the tradition of ELO or Yes).
If this sounds jarringly kaleidoscopic, that's because it is. But it works. Listen and see.

Price $17

Lighght is the second studio album by indie pop artist Kishi Bashi. Tafseer e kabeer. It was released on May 13, 2014.^[6] It was produced by Kishi Bashi and recorded in multiple locations, including Home Studios in Athens, Georgia and Clay Garden Studios in Norfolk, Virginia.^[7]

Music[edit]

Kishi Bashi's sophomore album builds upon the musical ideas he introduced in his first studio album, 151a. A classical violin virtuoso-turned-songwriter, Kaoru Ishibashi continues to use the violin as his main instrument and source of inspiration. In Lighght, he plays with the conventions of both classical music and pop music by layering, distorting, and looping violin sounds in experimental ways. He also utilizes synthetic keyboards and different kinds of percussion to add dimension behind his characteristic singing voice, which Kristofer Lenz describes as 'clear, high, and beautiful.' ^[8] Each song is distinctive and complex, ranging from the upbeat, dance-inspired 'Carry on Phenomenon' and 'The Ballad of Mr. Steak' to the sweet and simple love song 'Q&A' and the seven-minute psychedelic, atmospheric conclusion 'In Fantasia.'

Critical reception[edit]

Upon its 2014 release, the album generated favorable reviews from most critics. It received a critic score of 71 on Metacritic, indicating 'generally favorable reviews.' On the same website, it received a user score of 8.5, indicating 'universal acclaim.'^[9] On popular music review website The Line of Best Fit, reviewer Danny Wadeson wrote of the album, 'Put bluntly, every song herein are overbrimming with frenzied brilliance,' and concluded by stating that Kishi Bashi has 'produced his finest work to date.' ^[10] Other reviewers had less favorable opinions. Kristopher Lenz of music blog Consequence of Sound thought the album missed the mark, expressing that there is 'simply too much questionable fluff surrounding the good ideas.'^[8] Despite disagreements, reviewers seem to agree that Kishi Bashi's sophomore effort has been successful in defining his signature sound.

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Track listing[edit]

All tracks are written by Kishi Bashi.

Japanese bonus tracks[edit]

Personnel[edit]

• Kishi Bashi – vocals, strings^[11]

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Limited edition gold spattered vinyl with bonus gold colored 7'.
Violinist, singer, and composer Kishi Bashi is slated to release his new album on May 13, 2014. The album entitled 'Lighght' (pronounced 'Light') continues and expands the sound of his critically acclaimed debut, '151a' - which earned Kishi Bashi the title of 'Best New Artist' by NPR. Since the profoundly successful release of '151a' two years ago, Kishi Bashi has toured relentlessly, captivating audiences across the globe with his loop-based live show, and fostering a groundswell of devotees.
'151a' was crafted over a four-year period while Kishi Bashi was touring and recording with Regina Spektor, Sondre Lerche, and of Montreal (where he was a full-time member and co-producer). In late 2012, after the success of '151a', Kishi Bashi decided to focus solely on his own music and began composing the new material which has become 'Lighght'.
'Lighght' takes its title from the one-word poem by minimalist poet Aram Saroyan. As Kishi Bashi explains, 'The poem's blatant assault on literary convention and classical form was attractive to me.' It is apparent that such an approach informed the new album, which has both broadened and redefined his classical foundations. 'Though I have studied classical composition, I prefer to take an unconventional path when it comes to creating and thinking about music,' says Kishi Bashi.
Though violin remains his primary instrument and songwriting muse, Kishi Bashi has expanded his palette to include more diverse and nuanced instrumentation. Bright and soaring avant-pop songs are prevalent, as are Eastern-tinged arrangements, gentle ballads, Philip Glass inspired improvisations, and more than a few moments that flirt with 70s prog (in the tradition of ELO or Yes).
If this sounds jarringly kaleidoscopic, that's because it is. But it works. Listen and see.

Price $17

Lighght is the second studio album by indie pop artist Kishi Bashi. Tafseer e kabeer. It was released on May 13, 2014.^[6] It was produced by Kishi Bashi and recorded in multiple locations, including Home Studios in Athens, Georgia and Clay Garden Studios in Norfolk, Virginia.^[7]

Music[edit]

Kishi Bashi's sophomore album builds upon the musical ideas he introduced in his first studio album, 151a. A classical violin virtuoso-turned-songwriter, Kaoru Ishibashi continues to use the violin as his main instrument and source of inspiration. In Lighght, he plays with the conventions of both classical music and pop music by layering, distorting, and looping violin sounds in experimental ways. He also utilizes synthetic keyboards and different kinds of percussion to add dimension behind his characteristic singing voice, which Kristofer Lenz describes as 'clear, high, and beautiful.' ^[8] Each song is distinctive and complex, ranging from the upbeat, dance-inspired 'Carry on Phenomenon' and 'The Ballad of Mr. Steak' to the sweet and simple love song 'Q&A' and the seven-minute psychedelic, atmospheric conclusion 'In Fantasia.'

Critical reception[edit]

Upon its 2014 release, the album generated favorable reviews from most critics. It received a critic score of 71 on Metacritic, indicating 'generally favorable reviews.' On the same website, it received a user score of 8.5, indicating 'universal acclaim.'^[9] On popular music review website The Line of Best Fit, reviewer Danny Wadeson wrote of the album, 'Put bluntly, every song herein are overbrimming with frenzied brilliance,' and concluded by stating that Kishi Bashi has 'produced his finest work to date.' ^[10] Other reviewers had less favorable opinions. Kristopher Lenz of music blog Consequence of Sound thought the album missed the mark, expressing that there is 'simply too much questionable fluff surrounding the good ideas.'^[8] Despite disagreements, reviewers seem to agree that Kishi Bashi's sophomore effort has been successful in defining his signature sound.

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Track listing[edit]

All tracks are written by Kishi Bashi.

Japanese bonus tracks[edit]

Personnel[edit]

• Kishi Bashi – vocals, strings^[11]

Additional performers

• Kevin Barnes – bass on 'Hahaha Pt. 2', additional vocals 'In Afrikaans'
• Yoed Nir – cello on 'Philosophize!' , 'In Afrikaans' , 'Q&A', 'In Fantasia'
• Amos Housworth, cello on 'Philosophize!' and 'Bittersweet Genesis'
• Keiko Ishibashi – vocals on 'Q&A' and 'Impromptu no 1'
• Daniel Brunner and Mike Savino – vocals on 'Carry On Phenomenon'
• Zac Colwell – Juno 60 on 'Hahaha Pt. 2' and 'In Afrikaans'
• Davey Pierce – miniMoog midi-fying on 'In Afrikaans'
• Clayton Rychlik – drums on 'Carry On Phenomenon', 'Philosophize!', 'Mr.Steak', 'In Afrikaans', 'Hahaha Pt. 2'
• Phillip Mayer – additional drums on 'Philosophize!'.

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Charts[edit]

Charts[edit]

Songs[edit]

Kishi Bashi Youtube

Kishi Bashi Live

References[edit]

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1. ^Lighght Reviews – Metacritic
2. ^Lighght – Kishi Bashi : Songs, Reviews, Credits, Awards : AllMusic
3. ^Lenz, Kristofer (May 27, 2014). 'Album Review: Kishi Bashi – Lighght'. Consequence of Sound. Retrieved Apr 20, 2015.
4. ^Kishi Bashi – Lighght
5. ^http://www.syffal.com/Kishi-Bashi-Lighght
6. ^'New Kishi Bashi: Album Details Announced!'. 2014-03-05. Retrieved 2015-04-20.
7. ^'Lighght by Kishi Bashi'. 2014-05-13. Retrieved 2015-04-20.
8. ^ ^ab'Album Review: Kishi Bashi – Lighght'. Retrieved 2015-04-30.
9. ^Lighght, retrieved 2015-04-30
10. ^'Kishi Bashi – Lighght'. Retrieved 2015-04-30.
11. ^'bandcamp'. Retrieved 2015-04-20.
12. ^'Kishi Bashi Chart History (Billboard 200)'. Billboard. Retrieved December 18, 2018.
13. ^'Kishi Bashi Chart History (Top Rock Albums)'. Billboard. Retrieved December 18, 2018.
14. ^'Kishi Bashi Chart History (Top Alternative Albums)'. Billboard. Retrieved December 18, 2018.
15. ^'Kishi Bashi Chart History (Vinyl Albums)'. Billboard. Retrieved December 18, 2018.
16. ^'Kishi Bashi – Chart history | Billboard'. www.billboard.com. Retrieved 2015-04-29.

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